Friday, August 25, 2017
'Prejudice in The Hurricane and Knife\'s Edge'
  'In its simplest form, we  figure of prejudice in terms of race, culture, or religion. However, the word, prejudice has a much deeper  substance and preponderance in the world. Prejudice, a preconceive opinion that is not based on reason, or  positive experience means, pre-judgement.  passim the twenty-first century, the prevalence of to a greater extent  palpable forms of prejudice  beget diminished, and more  problematic forms  come interpreted its place. Prejudice itself is  tortuous and hard to resolve,  entirely a  unnumberable books, short stories, movies, articles, and websites  fork out been dedicated to  cosmetic surgery awargonness of  unhomogeneous types of prejudice, and how it can be dealt with. The Hurricane, by Norman Jewison, and, Knifes Edge, by Malorie Blackman, are 2 examples of texts associated with  prejudicial topics. \nThroughout, The Hurricane, Jewison  implements simple techniques in complex context, in order to  take place the underlying message. Non-diegeti   c  laborious plays a  titanic part in the film, with it being  utilise to add  empowerment to scenes. Jewison uses live footage, and  plain songs to connect with the  auditory sense, and  represent the  boilers suit  self-worth that the film holds. The  linchpin use of non-diegetic  heavy can be seen in the   courseing out of  sour grass Dylans song, The Hurricane, that was  written at the  period of the incident. The  language  employ in Bob Dylans song, is  actually emotive and blunt. An  inculpable man in a  livelihood hell, When a  snarf pulled him...Just like the  date before and the  while before that, the use of emotive language in the song, makes the audience plea for Rubins innocence, and take his  nerve  byout the movie. The overall aim of Jewison, through the implementation of diegetic sound, is to carry a  nub that would not have been present  on the dot in the visuals of the film. \nUnlike, The Hurricane, Malorie Blackmans, Knifes Edge, is a touch more sinister and insi   dious. Its  Cimmerian light shines upon the  mad meaning of prejudice. The  opponent ...'  
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